[...] We look, and not just necessity or voyeurism or citizen journalism. I agree with Andrea Iannu

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A shuddering are not the images themselves: the fiction (but also the reality) have used our retinas to much worse. A shuddering is not the framed scene but the previous scene, daily motion not what you see but what you do not see and yet you imagine.
It's the thought that those red spots are not tomato juice cinematic, but human blood, that the young man started to talk like a protester whatever daily motion has just massacred a peer, that those behind the camera does not seem to be touched by the idea of him / her himself in danger, in front of a murderess still armed. daily motion
I have not formed an opinion on the matter, I do not know - yet - whether it is right or wrong. I can say that in the first draft of this post I embeddato the video, then I took it off (but with a couple of clicks on the hyperlink you can get there from here: I will not clean my consciousness).
Yet that video is a document, a distinction that marks a before and an after. daily motion Like the black and white home movie of Zapruder (color, I point out, even if the TV transmits it in black and white) that captures the bullets as they hit John Kennedy, as videos of September 11.
This is not the first time that the horror is filmed and broadcast. In London, however, the bar has moved. daily motion There seems to be more horror in those blades wielded bloody and height of your mobile phone (like a slasher film) that, paradoxically, in the ball of fire inside the twin towers. If that scene was an apocalypse to take your breath but almost unreal in its special effects, daily motion this is instead metropolitan nightmare, pure violence, to hand and eye, in mp4 format.
Update. One of the eyewitnesses of the attack, which told the story through a live tweeting, said he had refused daily motion several offers (even 75 thousand pounds, about 100 thousand Euros) to be interviewed and tell "their" story
Posted Thursday, May 23, 2013 at 13:44 under Uncategorized. daily motion You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site. 2 comments to "The attack of Woolwich, videos and the next take,"
May 26, 2013 at 10:52 [...]> The images of the murderer, with blood on their hands, which explains his action have been around the world. But to shiver is not what you see, but what you imagine happened before. With a young man talking again as if it were a protester, daily motion when it has just murdered his own age. In the era of Google Glass must be prepared to know how to manage, from an emotional standpoint, journalism, ethics and morals, our reality. daily motion Do it quickly, because the next take, could touch us. Fix Position - Attack of Woolwich, videos and the next take, [...]
[...] We look, and not just necessity or voyeurism or citizen journalism. I agree with Andrea Iannuzzi when he writes that "in London the bar has moved," even compared to 11 [...]
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