100 PALACE: THE MASS IN B minor BWV 232 by JS Bach | FERN IN LAND
TUTORIAL FOR DOWNLOADING FILES * If you have problems with downloading, joining and decompression of files, I recommend clicking the image below and HELP you have to download the tutorial that I have prepared step by step to do it correctly.
. Click on the photo of the Palace of Catalan Music and will go to their website. . . Click the photo of the room Pau Casals Auditorium in Barcelona and will go to their website. SCHEDULE MONTH ============================= ================== the Lyceum ===========
Ludwig Trio (I) :: 12.13.2013 21:00 :: Main Theater (Sabadell) =========================== * BICENTENNIAL ============ WAGNER ==================================== === CLICK ON THE LOGO TO ACCESS THE WEB AND CALENDAR OF EVENTS PLANNED * =============================== OPERA IN CINEMA ======== =======================================
SEASON 2013/2014 * THE MET THE CINEMA Falstaff (Verdi). - 14 December 2013 Conductor: James Levine, Oropesa, Meade, Blythe, Johnson Cano, Fanale, Maestri, Vassallo. Stage director Robert Carsen. Rusalka (Dvorak). - February 8, 2014 Conductor: Yannick Nézet-Séguin, Fleming, Magee Zajick, Beczala, Relyea. Stage director Otto Schenk. Prince Igor (Borodin). - March 1, 2014 Conductor: Gianandrea Noseda, Dyka, Rachvelishvili, Semishkur, Abdrazakov, Petrenko, Kocani. Stage director: Dmitri Tcherniakov. Werther (Massenet). - March 15, 2014 Conductor: Alain Altinoglu, Oropesa, Garanca, Kaufmann Bizic, Summers. Stage director Richard Eyre. La Boheme (Puccini). - April 5, 2014 Musial Director: Ranzan, Hartig, Phillips, Grigol, Cavalletti, Carfizzi, Gradus, Maxwell. Stage director: Franco Zeffirelli. Cosi fan tutte (Mozart). - April 26, 2014 Conductor: James Levine, Phillips, mami Leonard, of Niese, Polenzani, Pogossov, Muraro. mami Stage director: Lesley Koenig. La Cenerentola (Rossini). - May 10, 2014 Conductor: FabioLuisi, DiDonato, Florez, Spagnoli, Corbella, Pisaroni. Stage director Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions and comments that people leave beyond the blog. I wish everyone mami was expressed in complete freedom, but I would like as much as possible, mami used offensive language or rude. In Fern Land aims to be a plural. where you can live all possible opinions, provided they are respectful and tolerant mami of other people and ideas expressed. But in any case I reserve the right to restrict the publication of any comments that violate this freedom and tolerance that prevails if someone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
Yesterday held one of the most important concerts of the musical season with a visit to The King's Consort and the prestigious director Robert King at the helm, to play the crucial mami and monumental Mass in B minor by Johann Sebastian Bach, who counted the spotlight of the Catalan choir a challenge that I had not had to submit it, even though the concert was the best series of the house (Palace 100), or perhaps for that very reason.
The Mass in B minor is the chair wholeheartedly professional doctorate and I have no doubt that the Catalan choir prepared the work in depth, in conscience, but the Catalan Choral Society is not sufficiently mami prepared to be the height challenge. He noted that King Robert worked Mass considering the shortcomings of the heart and pulled oil, but a 100 series as the Palace and a work like this to ask for another heart, whether it's King's Consort, the Monteverdi, Arnold Schoenberg and the RIAS Kammerchor, but our beloved choir.
You will need to once and for all not hide your head in the sand over and let us not take for generous applause (not enthusiastic) audience in the house that could make us believe that valuable effortful and titanic work performed by the orphans sing in this work, was at the height of a cycle top level of a work such as capital.
The sound, on the whole, mami it is beautiful and Bach too often when I tested everything, even more evident mami depression and doubt each of the strings being the first sopranos and tenors and they suffer the most suffer. Robert King did control everything and almost never the sound of fifty chosen singers exceeded forte. I do not know so dear, but I think that if the price and had to pay so much contention was that in the first half reigned excessive monotony, plain interpretation,
TUTORIAL FOR DOWNLOADING FILES * If you have problems with downloading, joining and decompression of files, I recommend clicking the image below and HELP you have to download the tutorial that I have prepared step by step to do it correctly.
. Click on the photo of the Palace of Catalan Music and will go to their website. . . Click the photo of the room Pau Casals Auditorium in Barcelona and will go to their website. SCHEDULE MONTH ============================= ================== the Lyceum ===========
Ludwig Trio (I) :: 12.13.2013 21:00 :: Main Theater (Sabadell) =========================== * BICENTENNIAL ============ WAGNER ==================================== === CLICK ON THE LOGO TO ACCESS THE WEB AND CALENDAR OF EVENTS PLANNED * =============================== OPERA IN CINEMA ======== =======================================
SEASON 2013/2014 * THE MET THE CINEMA Falstaff (Verdi). - 14 December 2013 Conductor: James Levine, Oropesa, Meade, Blythe, Johnson Cano, Fanale, Maestri, Vassallo. Stage director Robert Carsen. Rusalka (Dvorak). - February 8, 2014 Conductor: Yannick Nézet-Séguin, Fleming, Magee Zajick, Beczala, Relyea. Stage director Otto Schenk. Prince Igor (Borodin). - March 1, 2014 Conductor: Gianandrea Noseda, Dyka, Rachvelishvili, Semishkur, Abdrazakov, Petrenko, Kocani. Stage director: Dmitri Tcherniakov. Werther (Massenet). - March 15, 2014 Conductor: Alain Altinoglu, Oropesa, Garanca, Kaufmann Bizic, Summers. Stage director Richard Eyre. La Boheme (Puccini). - April 5, 2014 Musial Director: Ranzan, Hartig, Phillips, Grigol, Cavalletti, Carfizzi, Gradus, Maxwell. Stage director: Franco Zeffirelli. Cosi fan tutte (Mozart). - April 26, 2014 Conductor: James Levine, Phillips, mami Leonard, of Niese, Polenzani, Pogossov, Muraro. mami Stage director: Lesley Koenig. La Cenerentola (Rossini). - May 10, 2014 Conductor: FabioLuisi, DiDonato, Florez, Spagnoli, Corbella, Pisaroni. Stage director Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions and comments that people leave beyond the blog. I wish everyone mami was expressed in complete freedom, but I would like as much as possible, mami used offensive language or rude. In Fern Land aims to be a plural. where you can live all possible opinions, provided they are respectful and tolerant mami of other people and ideas expressed. But in any case I reserve the right to restrict the publication of any comments that violate this freedom and tolerance that prevails if someone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
Yesterday held one of the most important concerts of the musical season with a visit to The King's Consort and the prestigious director Robert King at the helm, to play the crucial mami and monumental Mass in B minor by Johann Sebastian Bach, who counted the spotlight of the Catalan choir a challenge that I had not had to submit it, even though the concert was the best series of the house (Palace 100), or perhaps for that very reason.
The Mass in B minor is the chair wholeheartedly professional doctorate and I have no doubt that the Catalan choir prepared the work in depth, in conscience, but the Catalan Choral Society is not sufficiently mami prepared to be the height challenge. He noted that King Robert worked Mass considering the shortcomings of the heart and pulled oil, but a 100 series as the Palace and a work like this to ask for another heart, whether it's King's Consort, the Monteverdi, Arnold Schoenberg and the RIAS Kammerchor, but our beloved choir.
You will need to once and for all not hide your head in the sand over and let us not take for generous applause (not enthusiastic) audience in the house that could make us believe that valuable effortful and titanic work performed by the orphans sing in this work, was at the height of a cycle top level of a work such as capital.
The sound, on the whole, mami it is beautiful and Bach too often when I tested everything, even more evident mami depression and doubt each of the strings being the first sopranos and tenors and they suffer the most suffer. Robert King did control everything and almost never the sound of fifty chosen singers exceeded forte. I do not know so dear, but I think that if the price and had to pay so much contention was that in the first half reigned excessive monotony, plain interpretation,
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